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But we’ve already heard these themes - and quite recently.Ī rap-rock outfit with a jones for Depeche Mode? Is this a glitch in the matrix? Linkin Park’s debut album, Hybrid Theory, is a freaky-deaky fusion that works in spots - on “Crawling,” MC Mike Shinoda’s catchy rhymed refrains bounce off singer Chester Bennington’s New Wave croon, proving that synth-pop can get with the hip-hop. On casual listen, Hybrid Theory is plenty catchy and professionally done. Right about now, rap-metal seems to belch out a new Linkin Park every week. Papa Roach and Disturbed - who owe debts to their own predecessors - made it to the table first.ĭerivative pretenders often signal the end of a musical wave. On this point, it wouldn’t really matter if the members of Linkin Park had mixed styles for years. Linkin Park does echo some of the better elements of modern rap-metal, namely the syncopated menace of Disturbed and the intense introspection of Papa Roach.
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One problem: Everyone knows rap-metal is a crowded field in 2001, a style in need of more innovation and less replication. The band’s previous name was Hybrid Theory - a reference to the musicians’ wild-eyed ideas about combining rock and hip-hop elements for their sound. “?īefore this California band recorded major-label debut Hybrid Theory, it changed its name to Linkin Park. Linkin Park? Why not “Disturbed Roach”? Or ” Bizkits and Korn “? ” 311 P.O.D. The Indianapolis Star, David Lindquist, Jan. Linkin Park has risen above the metal-rap pack with this solid debut album.īennington is a convincing character who at times sounds as eerily messed up as Jonathan Davis of Korn. “We get to put in twice as much energy as a band with one vocalist,” says Shinoda, whose poetic shrieks are a perfect complement to Bennington’s smooth yet potent singing style. A key weapon is the presence of both a rapper and a singer in the band. They have a chemistry and ebullient vitality that’s downright infectious. If you like the genre and don’t mind trodden ground, this could be your favourite disc of the year. Fortunately even the thickest guitar slabs come with melody, making tracks like “In The End” and “Runaway” worth coming back to. “One Step Closer” is the immediate grabber with its angst-fuelled lyrics (“Shut up when I’m talking to you”), although it lacks the genuine aggression guys like Cobain, de la Rocha and Reznor had during the 90s. Hybrid Theory is a high octane record, yes, but there’s nothing on it that Fred Durst and Jonathan Davis haven’t done better. Linkin Park has its fair share of fans who believe it has resuscitated the palpitating world of rap/rock, injecting heavy doses of guitar riffs with hooky rhymes. Life is too short to listen to mediocre rock. Seething lead vocals and intense backing growls, the cornerstones of modern industrial rock, are missing. Its attempts at in-your-face hip-hop vocal deliveries are strange, soft and crooning. Its percussive guitar and digital fuzz and screeches, a la Trent Reznor, are light, clean and over-produced. Hybrid Theory is a futile attempt at imitating the industrial rock masters. How can one expect a band whose most aggressive lyric is “Shut up when I’m talking to you” (from the album’s first single release “One Step Closer”) to be taken seriously among such aggressive, risk-taking company? Industrial rock is supposed to be progressive, dark and heavy. Those who prefer their industrial-edged, hip-hop inspired rock uninspired and squeaky-clean need look no further than Linkin Park.ĭoing to industrial rock what Vanilla Ice and New Kids On The Block did to R&B and hardcore hip-hop, the fresh-faced five-piece outfit performs a lightweight and soulless brand of music.Ĭompared to such groundbreaking artists as Trent Reznor, Marilyn Manson and Tool, Linkin Park does not rate. The Herald Sun (Melbourne), David Flaherty, Jan. Below are excerpts from numerous contemporary newspaper and magazine articles and reviews. When there’s a little bit of rage behind, you get motivated.”Īs we mourn Bennington’s death at 41, we’re looking back on what critics and reporters had to say about Linkin Park around the time of their debut LP’s release. Anger feeds change – more so than happiness, because I think when people become happy and comfortable they become lazy and melancholy. “There’s some pretty pissed-off kids all over the world,” Bennington told The Guardian back in 2001. Chester Bennington's Biggest Billboard Hits